The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources.
Michael Leifer, who died in 2001, was one of the leading scholars of Southeast Asian international relations.
Through a series of empirically and theoretically informed reflections, Opening Up the University offers insights into the process of setting up and running programs that cater to displaced students.
Modern information and communication technologies, together with a cultural upheaval within the research community, have profoundly changed research in nearly every aspect.
At a time when an emphasis on productivity in higher education threatens to undermine well-crafted research, these highly reflexive essays capture the sometimes profound intellectual effects that may accompany disrupted scholarship.
This volume is based on the section “Transnationalities – Transidentities – Hybridities – Diasporization”, organized by the Ibero-American and Francophone Research Centres of the University of Leipzig as part of the First Annual Conference of the Centre for Area Studies at the University of Leipzig.
O livro discute as políticas públicas na área de cultura, no período dos anos 60 aos anos 90, demonstrando como os símbolos afro-brasileiros foram sendo ressignificados, a partir do estabelecimento de novas demandas, seja pela política institucional ou pelos movimentos negros.
Materials from the past that wrongly anticipate the future, or present information or judgments that are later proved misleading or erroneous, are sometimes overlooked in reconstructing the past.
Bundesweit finden an zahlreichen Hochschulen und Forschungseinrichtungen Projekte statt, die sich inhaltlich mit den Niederlanden bzw.
Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman—symbolized an expanded public role for women