Climate Adaptation and Resilience Across Scales provides professionals with guidance on adapting the built environment to a changing climate. This edited volume brings together practitioners and researchers to discuss climate-related resilience from the building to the city scale. This book highlights North American cases that deal with issues such as climate projections, public health, adaptiv…
This monograph focusses on a cohesive group of four government buildings constructed in Adelaide during the 1970s. Designed by different architects, the buildings all feature monolithic, austere forms and broadly similar external concrete finishes, and are often described by casual observers as being Brutalist in style. But are any or all of them truly Brutalist?
This book proposes an innovative conceptual framework to explore cultural organizations at a multilateral level and cultural mediators as key figures in cultural and institutionalization processes. Specifically, it analyzes the role of Ibero-American mediators in the institutionalization of Hispanic and Lusophone cultures in the first half of the 20th century by means of two institutional netwo…
Following his retirement in 1976 from a distinguished career as a teacher and administrator at Appalachian State University in Boone, North Carolina, Cratis Williams wrote these memoirs of his life odyssey from a log cabin in eastern Kentucky to the upper echelons of American education.
The cowboy, as perhaps no other figure, has captured the imagination of North Americans for over a century. Before Owen Wister’s publication of The Virginian in 1902, the image of the cowboy was essentially that of the dime novel – a rough, violent, one-dimensional drifter, or the stage cowboy variety found in Buffalo Bill Cody’s Wild West show. Wister’s novel was to transform, almost o…
Eric Cameron is a major contemporary Canadian artist. Born in 1935 in Leicester, England, he arrived in Canada in the 1970s and has taught at the University of Guelph, the Nova Scotia College of Art and Design, and at the University of Calgary. Over the years Cameron has also continued to work in his primary medium, painting, but moved from traditional figuration to a highly conceptual practice…