OPEN EDUCATIONAL RESOURCES

UPA PERPUSTAKAAN UNEJ | NPP. 3509212D1000001

  • Home
  • Admin
  • Select Language :
    Arabic Bengali Brazilian Portuguese English Espanol German Indonesian Japanese Malay Persian Russian Thai Turkish Urdu

Search by :

ALL Author Subject ISBN/ISSN Advanced Search

Last search:

{{tmpObj[k].text}}
Image of The Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music
Bookmark Share

Text

The Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music

SAITO, Yoshiomi - Personal Name;

From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context. Saito examines jazz across a wide range of regions, including America, Europe, Japan and Communist countries. His research also draws heavily upon a variety of sources, primary as well as secondary, which are accessible in these diverse countries: all had their unique and culturally specific domestic jazz scenes, but also interacted with each other in an interesting dimension of early globalization. This comparative analysis on the range of unique jazz scenes and cultures offers a detailed understanding as to how jazz has been interpreted in various ways, according to the changing contexts of politics and society around it, often providing a basis for criticizing America itself. Furthering our appreciation of the organic relationship between jazz and global politics, Saito reconsiders the uniqueness of jazz as an exclusively "American music."This book will be of interest to students and scholars of international relations, the history of popular music, and global politics.


Availability

No copy data

Detail Information
Series Title
-
Call Number
780
Publisher
: ., 2019
Collation
-
Language
English
ISBN/ISSN
9780429595363
Classification
780
Content Type
-
Media Type
-
Carrier Type
-
Edition
-
Subject(s)
Music
Social Science / Regional Studies
Specific Detail Info
-
Statement of Responsibility
Yoshiomi Saito
Other Information
Cataloger
Firli
Source
https://openresearchlibrary.org/content/5cab40e5-130a-4c42-9d9b-fc7bdac87934/details
Other version/related

No other version available

File Attachment
  • The Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music
Comments

You must be logged in to post a comment

OPEN EDUCATIONAL RESOURCES

Search

start it by typing one or more keywords for title, author or subject


Select the topic you are interested in
  • Computer Science, Information & General Works
  • Philosophy & Psychology
  • Religion
  • Social Sciences
  • Language
  • Pure Science
  • Applied Sciences
  • Art & Recreation
  • Literature
  • History & Geography
Icons made by Freepik from www.flaticon.com
Advanced Search
Where do you want to share?