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What Will Be Already Exists : Temporalities of Cold War Archives in East-Central Europe and Beyond

KURTI, Emese - Personal Name; LASZLO, Zsuzsa - Personal Name;

How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes.


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Detail Information
Series Title
-
Call Number
650
Publisher
: ., 2021
Collation
-
Language
English
ISBN/ISSN
-
Classification
650
Content Type
-
Media Type
computer
Carrier Type
online resource
Edition
-
Subject(s)
BUISNESS & ECONOMICS
Specific Detail Info
-
Statement of Responsibility
Emese Kurti, Zsuzsa Laszlo
Other Information
Cataloger
ratna
Source
https://openresearchlibrary.org/content/d8f458f0-379a-496b-adab-90043af4c3b5
Other version/related

No other version available

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  • What Will Be Already Exists
    How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes.
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