Text
Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition
I wish to thank all institutions and people who contributed to the work for the project and the making of this book. In the first place, I wish to acknowledge the role of the Austrian Science Fund (FWF), whose funding made possible a project of this scale. I am grateful also to Springer Verlag for their professional and pleasant cooperation throughout the publication of this volume. I am particularly thankful to my colleagues Daniel Mayer and Hanns Holger Rutz, as well as the contributing researchers and, most of all, the composers who, over a large period of time, patiently, enthusiastically, and with substantial personal effort, exposed theirpractice for the benefit of an unusual exploration of their compositional approaches. I would like also to mention Tamara Friebel who was responsible for the translation of German texts and proofreading.
No copy data
No other version available