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Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson

RUTH, Barratt-Peacock - Personal Name;

Drawing on Bernd Mahr’s model theory, this volume introduces a new approach to Romanticism in contemporary Australian literature. Focusing on two very different authors, David Malouf and the Indigenous poet Samuel Wagan Watson, this book highlights their similarities rather than their differences. It is the first book-length study dedicated specifically to each author’s poetic oeuvre. Comprehensive readings reveal that an ironic dialectic underpins how each poet writes from within a disjunct of culture and environment following colonisation, finding hope in dialogue and a productive process of negative assertion. The theoretical framing of Romanticism developed here effectively rehabilitates Romanticism as a productive paradigm in contemporary Australian poetry.


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Series Title
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Call Number
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Publisher
Bern : Peter Lang International Academic Publishers., 2020
Collation
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Language
English
ISBN/ISSN
-
Classification
NONE
Content Type
text
Media Type
computer
Carrier Type
online resource
Edition
-
Subject(s)
Poetry
Concrete
Aboriginal poetry
Australian identity
Australian literature
Australian Romanticism
Barratt
Bode
Brisbane writing
Christoph
Contemporary Australian poetry
David
David Malouf
Horizons
Indigenous poetry
Irony
Malouf
Michael
Model theory
Peacock
Place-making
Romantic
Romantic irony
Rücker
Ruth
Samuel
Samuel Wagan Watson
Spatial hermeneutics
Suburban Australian literature City writing
Wagan
Watson
Specific Detail Info
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Statement of Responsibility
Barratt-Peacock, Ruth
Other Information
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agus
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Validator
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Journal Volume
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  • Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson
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