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The African-Jamaican Aesthetic : Cultural Retention and Transformation Across Borders

The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a ‘past’ Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers’ expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean ‘Binta’ Breeze, Makeda Silvera, and Joan Riley

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Detail Information
Series Title
Cross/Cultures, Volume: 196
Call Number
306 TOM a
Publisher
Netrlands : Brill.,
Collation
-
Language
English
ISBN/ISSN
9789004342330
Classification
306
Content Type
text
Media Type
computer
Carrier Type
online resource
Edition
-
Subject(s)
Literary Criticism
Specific Detail Info
-
Statement of Responsibility
Other Information
Cataloger
Kholif Basri
Source
-
Validator
maya
Digital Object Identifier (DOI)
-
Journal Volume
-
Journal Issue
-
Subtitle
-
Parallel Title
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