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Music, the Avant-Garde, and Counterculture = Invisible Republics

This book studies how the complex relationship between music, the avant-garde, and counterculture challenges all sorts of boundaries. By exploring the avant-garde as a thoughtful inquiry into experimentation, creativity, and originality, we bring to the fore the "invisible republics" of culture, the ephemeral, the suppressed, and the unconformity of artistic and political undercurrents. Avant-garde and experimental art are international in scope, and their trajectory, as we see it, has been to expand themselves towards a new enlightenment, a critical project, and a rhizomatic entity, albeit with tacit harmony and cohesion. From Bucharest to Paris, London to New York, Paris to Brazil, Cuba, or Chile, to name a few, the same urge for the unknown and anti-art poetics emerged almost simultaneously in every field. We ask how these separate geographical territories (and practices) speak to each other and how this might reshape scholars' historical understanding of European and American modernity.
This is an open access book.

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Series Title

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Call Number

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Publisher

: Palgrave Macmillan Cham., 2024

Collation

XXVI, 300 hlm; ill., lamp.,

Language

English

ISBN/ISSN

9783031695148

Classification

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Content Type

text

Media Type

computer

Carrier Type

other (computer)

Edition

1

Subject(s)

Music
Cultural Studies

Specific Detail Info

Draws attention to previously underexplored experimental currents, artists, & movements in art, music, cinema, & poetry Reshapes understandings of European and American modernity Provides interdisciplinary perspectives on music, cinema, poetry, cybernetics, literature, and other arts This book is open access, which means that you have free and unlimited access

Statement of Responsibility

Anabela Duarte

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Source

https://link.springer.com/book/10.1007/978-3-031-69514-8

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ida

Digital Object Identifier (DOI)

https://doi.org/10.1007/978-3-031-69514-8

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