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The Poetics of Drama and the Early Modern Public Sphere(s)
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Dramatic Experience The Poetics of Drama and the Early Modern Public Sphere(s)

Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat - Personal Name;

In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.See Less


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Detail Information
Series Title
Drama and Theatre in Early Modern Europe, Volume: 6
Call Number
-
Publisher
Brill : https://brill.com/., 11 Oct 2016
Collation
oer.unej.ac.id
Language
English
ISBN/ISSN
978-90-04-32976-8
Classification
NONE
Content Type
text
Media Type
computer
Carrier Type
online resource
Edition
-
Subject(s)
Dramatic Experience
Dramatic
Specific Detail Info
-
Statement of Responsibility
Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat
Other Information
Cataloger
-
Source
https://brill.com/display/title/33861
Validator
Suwardi
Digital Object Identifier (DOI)
-
Journal Volume
Volume: 6
Journal Issue
-
Subtitle
-
Parallel Title
-
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  • Dramatic Experience The Poetics of Drama and the Early Modern Public Sphere(s)
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