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Argentine Cinema and National Identity

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Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s.

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Detail Information

Series Title

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Call Number

Digital, video and new media arts

Publisher

https://liverpooluniversitypre : Liverpool University Press., 2018

Collation

oer.unej.ac.id

Language

English

ISBN/ISSN

9781786948267

Classification

Digital, video and new media arts

Content Type

text

Media Type

computer

Carrier Type

online resource

Edition

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Subject(s)

Agriculture
Art; Film & Video

Specific Detail Info

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Statement of Responsibility

Rocha, Carolina

Other Information

Cataloger

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Source

https://directory.doabooks.org/handle/20.500.12854/31015

Validator

Suwardi

Digital Object Identifier (DOI)

https://doi.org/10.2307/j.ctt1ps32cc

Journal Volume

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Journal Issue

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Subtitle

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Parallel Title

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