Text

Chapter 1 A Semiotic Theory of Multimodality for the Divine Comedy

---

In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante’s text authorizes in order to understand the formation of codes based on different forms of articulation and how different modes of articulation may interact with one another in a multimodal arrangement to achieve strong, functional signification in general and, where necessary, working toward the formation of new ontologies intimating human transcendence in terms of signification.

---

Availability

No copy data

Detail Information

Series Title

-

Call Number

-

Publisher

: Taylor & Francis., 2024

Collation

-

Language

English

ISBN/ISSN

9781032497334

Classification

NONE

Content Type

text

Media Type

computer

Carrier Type

online resource

Edition

-

Subject(s)

Semiotics
multimodality

Specific Detail Info

-

Statement of Responsibility

De Benedictis, Raffaele

Other Information

Cataloger

-

Source

https://directory.doabooks.org/handle/20.500.12854/121915

Validator

Suwardi

Digital Object Identifier (DOI)

10.4324/9781003397298-1

Journal Volume

-

Journal Issue

-

Subtitle

-

Parallel Title

-

Other version/related

File Attachment

Comments

---

You must be logged in to post a comment