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Post-Cinema

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.

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Detail Information

Series Title

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Call Number

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Publisher

: ., 2020

Collation

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Language

English

ISBN/ISSN

9789048551941

Classification

NONE

Content Type

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Media Type

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Carrier Type

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Edition

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Subject(s)

Philosophy

Specific Detail Info

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Statement of Responsibility

Dominique Chateau, José Moure

Other Information

Cataloger

Jemadi

Source

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