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Media Primitivism Technological Art in Africa

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In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.

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Series Title

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Call Number

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Publisher

: ., 2020

Collation

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Language

English

ISBN/ISSN

9781478090434

Classification

NONE

Content Type

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Media Type

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Carrier Type

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Edition

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Subject(s)

Art / African
Social Science / Media Studies
Art / History / Contemporary (1945-)

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Statement of Responsibility

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Other Information

Cataloger

Arin

Source

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