This open access book seeks answers to a series of questions about the little studied subject of prologues or theatrical presentations in American movie theaters from the late 1910s to the mid-1920s. How did prologues emerge out of prior practices? Who were the exhibitors most involved? What characteristics would come to define prologues? How widespread did they become not only in metropolitan …
Fifty years of feminist thought have made the idea that women stay at home while men dominate the streets seem outdated; nevertheless, Ceuterick argues that theoretical considerations of gender, space, and power in film theory remain limited by binary models. Looking instead to more fluid models of spatial relations inspired by Sara Ahmed, Rosi Braidotti, and Doreen Massey, this book discovers …
Film festivals around the world are in the business of making experiences for audiences, elites, industry, professionals, and even future cultural workers. Read this book to find out what resources and institutional pillars ensure that the festivalization of capitalism is here to stay.
This open access, interdisciplinary book presents innovative strategies in the use of civil drones in the cultural and creative industry. Specially aimed at small and medium-sized enterprises (SMEs), the book offers valuable insights from the fields of marketing, engineering, arts and management. With contributions from experts representing varied interests throughout the creative industry, inc…
Film and the Chinese Medical Humanities adalah buku pertama yang merefleksikan kekuatan film dalam merepresentasikan wacana medis dan kesehatan di Tiongkok baik di masa lalu maupun masa kini, serta dalam membentuk masa depannya. Mengacu pada film layar lebar dan dokumenter dari Tiongkok daratan, setiap bab membahas bidang kedokteran melalui seni visual. Buku-buku tersebut membahas tema-tema sep…
A History of Communications advances a theory of media that explains the origins and impact of different forms of communication - speech, writing, print, electronic devices and the Internet - on human history in the long term. New media are 'pulled' into widespread use by broad historical trends and these media, once in widespread use, 'push' social institutions and beliefs in predictable direc…
This is a critical overview of the emerging field of machinima the use of computer game engines to create movies.OCLC-licensed vendor bibliographic record.
An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times.OCLC-licensed vendor bibliographic record.
Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtia…
Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Dra…