Time and causality in early modern drama: plotting revenge

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ISBN/ISSN

9781032724355

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Interpreting Chekhov

The author’s contention is that Chekhov’s plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov’s dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently ac…

The holy drama : Persian passion play in modern Iran

Persian passion play or ta‘ziya depicts the role of the Prophet’s granddaughter Zeynab during the tragic death of the third Shiite Imam Hoseyn in Karbala in 680. This book describes how Zeynab has become a role model in modern Iranian society, especially during the Islamic Revolution and the Iran-Iraq War.

Baroque Lorca : An Archaist Playwright for the New Stage

Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist r…

Wallenstein

" By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany’s leading playwrights was all but secured. Consisting of Wallenstein’s Camp, The Piccolomini and The Death of Wallenstein, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller’s collaborator and mentor, Johann Wolfgang (von) Goeth…

Wallenstein

By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany’s leading playwrights was all but secured. Consisting of Wallenstein’s Camp, The Piccolomini and The Death of Wallenstein, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller’s collaborator and mentor, Johann Wolfgang (von) Goethe.…

Don Carlos Infante of Spain

Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles t…

The Theatre of Tennessee Williams

In Brenda Murphy's major study of his work she examines Williams' life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal referen…

Studies in Strindberg

In this volume Strindbergs accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director.There are studies of individual plays, in which Strindbergs theatre is related both to naturalism and the theatre of the absurd, and of the role played by his life-long interest in historical drama. Other essays range from …

Staging America: Twenty-First-Century Dramatists

A new generation of playwrights, whose careers began in this century, has emerged, and done so when American theatre and society was changing. Capturing the cultural shifts of 21st-century America, Staging America explores the lives and works of 8 award-winning playwrights – including Ayad Akhtar, Stephen Adly Guirgis, Young Jean Lee and Quiara Alllegría Hudes – whose backgrounds reflect t…