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For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians, most of them anonymous. In order …
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- 9780520972773
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- 791.43 FRA f
Cinematic Independence: Constructing the Big Screen in Nigeria
Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after…
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- 9780520386105
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- 791.43 TSI c
Extreme Cinema: Affective Strategies in Transnational Media
Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle.
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- ISBN/ISSN
- 9781474402903
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- 791.43 KNA e
Negotiating Dissidence: The Pioneering Women of Arab Documentary
Traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria.
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- 9780748696062
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- 791.43 PEE n
Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas and Jean-…
Towards a Feminist Cinematic Ethics develops an account of non-normative ethics that can be used to think about filmmaking and viewing, using two philosophers—Emmanuel Levinas and Jean-Luc Nancy, and the work of filmmaker Claire Denis. In an accessible and engaging manner, it offers new readings of Denis' films, situating them within larger feminist, postcolonial and queer debates about …
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- 9781474409520
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- 777 HOL t
Aesthetics of Displacement: Turkey and its Minorities on Screen
Looking at films that represent the experience of displacement in relation to Turkey’s minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions determin…
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- ISBN/ISSN
- 9781501306464
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- 791.43 KOK a
A Foreign Affair: Billy Wilder's American Films
With six Academy Awards, four entries on the American Film Institute’s list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe?…
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- 9781845454180
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- 791.43 GEM f
Wag the Dog: A Study on Film and Reality in the Digital Age
Wag the Dog became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to…
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- 9781501307270
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- 791.43 THA w
Slums on Screen: World Cinema and the Planet of Slums
From Jacob Riis’ How The Other Half Lives (1890) to Danny Boyle’s Slumdog Millionaire (2008), Igor Krstić outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our ‘planet of slums’.
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- ISBN/ISSN
- 9781474406871
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- 791.43 KRS s
Documenting Racism: African Americans in US Department of Agriculture Documen…
From the silent era through the 1950s, the U.S. Department of Agriculture was the preeminent government filmmaking organization. In the United States, USDA films were shown in movie theaters, public and private schools at all educational levels, churches, libraries and even in open fields. For many Americans in the early 1900s, the USDA films were the first motion pictures they watched. And yet…
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- 9780826405555
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- 791.43 WIN d
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