OPEN EDUCATIONAL RESOURCES

UPA PERPUSTAKAAN UNEJ | NPP. 3509212D1000001

  • Home
  • Admin
  • Select Language :
    Arabic Bengali Brazilian Portuguese English Espanol German Indonesian Japanese Malay Persian Russian Thai Turkish Urdu

Search by :

ALL Author Subject ISBN/ISSN Advanced Search

Last search:

{{tmpObj[k].text}}

Filter by

  • Publication Year
  • Availability
  • Attachment
  • Collection Type
  • General Material Designation
    See More
  • Location
  • Language
Found 120 from your keywords: subject="Performing Arts / Fil...
First Page Previous 11 12 Next Last Page
cover
Screening Race in American Nontheatrical Film
Comment Share
GORDON, MarshaFIELD, Allyson Nadia

Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrica…

Edition
-
ISBN/ISSN
9781478004141
Collation
-
Series Title
-
Call Number
791.43 SCR s
Availability0
Add to basket
MARC DownloadCite
cover
Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Co…
Comment Share
HALTOF, Marck

This book about the early screen representation of Auschwitz-Birkenau deals with the classic Holocaust film made in 1948 in Poland by Auschwitz survivor, director Wanda Jakubowska. The Last Stage (or The Last Stop) is a pioneering work – the first narrative film to portray the former Nazi German camp. Haltof discusses Jakubowska's life and career before World War II, her imprisonment dur…

Edition
-
ISBN/ISSN
9780810136083
Collation
-
Series Title
-
Call Number
791.43 HAL s
Availability0
Add to basket
MARC DownloadCite
cover
Cinema of Confinement
Comment Share
CONNELLY, Thomas

"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room…

Edition
-
ISBN/ISSN
9780810139237
Collation
-
Series Title
-
Call Number
791.43 CON c
Availability0
Add to basket
MARC DownloadCite
cover
Science Fiction Cinema and 1950s Britain: Recontextualising the Golden Age
Comment Share
JONES, Matthew

For the last fifty years, discussion of 1950s science fiction cinema has been dominated by the view that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), were regularly exported to countries across the world. The histories of their encounters with foreign aud…

Edition
-
ISBN/ISSN
9781501322532
Collation
-
Series Title
-
Call Number
791.435 JON s
Availability0
Add to basket
MARC DownloadCite
cover
Martin Scorsese's Divine Comedy: Movies and Religion
Comment Share
O'BRIEN, Catherine

Catherine O'Brien draws on the structure of Dante's Divine Comedy to explore Scorsese's feature films from Who's that knocking at my door (1967-69) to Silence (2016). In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradis…

Edition
-
ISBN/ISSN
9781350003279
Collation
-
Series Title
-
Call Number
791.43 OBR m
Availability0
Add to basket
MARC DownloadCite
cover
Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist
Comment Share
TABERHAM, Paul

Lessons in Perception seeks to clarify notoriously elusive themes of the avant-garde with the use of existing research from the field of psychology. There is a long-standing history of reference to psychological concepts in relation to avant-garde film, such as its unique relationship to memory, visual perception, narrative comprehension, and synesthesia. Yet direct analysis of these topics in …

Edition
-
ISBN/ISSN
9781785336416
Collation
-
Series Title
-
Call Number
791.43 TAB l
Availability0
Add to basket
MARC DownloadCite
cover
Animating Truth: Documentary and Visual Culture in the 21st Century
Comment Share
EHRLICH, Nea

Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality.

Edition
-
ISBN/ISSN
9781474463362
Collation
-
Series Title
-
Call Number
791.43 EHR a
Availability0
Add to basket
MARC DownloadCite
cover
The Digital Logic of Death: Confronting Mortality in Contemporary Media
Comment Share
PUSTAY, Steven

In The Digital Logic of Death, Steven Pustay skillfully makes visible the immensely important but often overlooked role that moving images play in shaping our understanding of mortality. This relationship, he argues, is made all the more urgent by the technologies of the digital age, which have profoundly altered our ability to represent and contemplate death through moving images, resulting in…

Edition
-
ISBN/ISSN
9781501364082
Collation
-
Series Title
-
Call Number
790 PUS d
Availability0
Add to basket
MARC DownloadCite
cover
Music and Levels of Narration in Film
Comment Share
GUIDO, Heldt

This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narra…

Edition
-
ISBN/ISSN
9781783202102
Collation
-
Series Title
-
Call Number
791.43 GUI m
Availability0
Add to basket
MARC DownloadCite
cover
War Pictures: Cinema, History, and Violence in Britain, 1939-1945
Comment Share
PUCKETT, Kent

In 'War Pictures', Puckett looks at how Britain imagined, saw, and sought to represent its war during wartime. How did the material and conceptual pressures of total war affect what it meant to see or to make art? How did culture and, in particular, cinema function as propaganda, as criticism, as a form of self-analysis, as a reflection on war and the kinds of violence it tends to unleash? How …

Edition
-
ISBN/ISSN
9780823275748
Collation
-
Series Title
-
Call Number
777 PUC w
Availability0
Add to basket
MARC DownloadCite
First Page Previous 11 12 Next Last Page
OPEN EDUCATIONAL RESOURCES

Search

start it by typing one or more keywords for title, author or subject


Select the topic you are interested in
  • Computer Science, Information & General Works
  • Philosophy & Psychology
  • Religion
  • Social Sciences
  • Language
  • Pure Science
  • Applied Sciences
  • Art & Recreation
  • Literature
  • History & Geography
Icons made by Freepik from www.flaticon.com
Advanced Search
Where do you want to share?