This classic ethnomusicological survey provides as a valuable guide to African music. The essays review a broad swath of genres and topics, including court songs and music history, musical instruments in different traditions, and the connection between Islam and African music. Contributors are Lois Ann Anderson, John Blacking, Philip J. C. Dark, David M. Dixon, Akin Euba, John D. Fage, Matthew …
The richness, variety, and complexity of the culture of the Hausa city-states are illustrated in microcosm in Glossary of Hausa Music and Its Social Contexts, in which several hundred Hausa terms for music are collected. David W. Ames and Anthony V. King concentrate on the kingdoms of Zaria and Katsina, but include historically noteworthy terms from other areas. This compilation not only presen…
Containing details of 390 L.P. and E.P. recordings, African Music on LP: An Annotated Discography contributed to the scholarship of African music at a time when very little had been written. Organized by record label and arranged in alphabetical order, Allen P. Merriam assesses the stylistic characteristics of each recording, providing new insights on the subject and the recording industry at t…
The central aim of this book is to present a new approach to “the field of musical improvisation” (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are “at work” than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural background…
Music Worlding in Palau: Chanting, Atmospheres, and Meaningfulness is a detailed study of the performing arts in Palau, Micronesia as holistic techniques enabling the experiential corporeality of music’s meaningfulness—that distinctly musical way of making sense of the world with which the felt body immediately resonates but which, to a significant extent, escapes interpretive techniques. D…
Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? Virtual Works – Actual Things…
Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions. Under the heading transposition, seventeen artists, music…
Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words ab…
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and cruc…
Beyond interpretation: a proposal for experimental performance practices Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from autho…