This introduces and abridges the syntactical features of the original language of the Hebrew Bible or Old Testament. Scholars have made significant progress in recent decades in understanding Biblical Hebrew syntax. Yet intermediate readers seldom have access to this progress due to the technical jargon and sometimes-obscure locations of the scholarly publications. This Guide is an intermediate…
This book offers a sweeping history of Pureora Forest Park, one of the most significant sites of natural and cultural history interest in New Zealand. The authors review the geological history of the volcanic zone, its flora and fauna, and the history of Maori and European utilization of forest resources. Chapter-length discussions cover management of the native forest by the New Zealand Fo…
In this book, experts discuss the use of ‘theatre’ and ‘metatheatre’ to describe ancient Greek dramatic activities. By examining how these two concepts are used in very different ways by scholars of various horizons, this collective volume aims both at widening what should be encompassed under the label ‘theatre’ when looking at the ancient Greek world and at better defining what co…
Karakter Seneca membahas salah satu elemen sastra yang paling bertahan lama dan paling tidak berteori: karakter fiksi dan hubungannya dengan manusia yang sebenarnya kedirian. Di mana letak batas antara karakter dan pribadi? Meskipun karakter yang kita temui dalam teks jelas bukan orang yang 'nyata', mereka tetap memilikinya kualitas seperti orang yang merangsang perhatian dan keterlibatan kita.
" By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany’s leading playwrights was all but secured. Consisting of Wallenstein’s Camp, The Piccolomini and The Death of Wallenstein, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller’s collaborator and mentor, Johann Wolfgang (von) Goeth…
By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany’s leading playwrights was all but secured. Consisting of Wallenstein’s Camp, The Piccolomini and The Death of Wallenstein, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller’s collaborator and mentor, Johann Wolfgang (von) Goethe.…
Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles t…
In Brenda Murphy's major study of his work she examines Williams' life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal referen…
In this volume Strindbergs accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director.There are studies of individual plays, in which Strindbergs theatre is related both to naturalism and the theatre of the absurd, and of the role played by his life-long interest in historical drama. Other essays range from …
A new generation of playwrights, whose careers began in this century, has emerged, and done so when American theatre and society was changing. Capturing the cultural shifts of 21st-century America, Staging America explores the lives and works of 8 award-winning playwrights – including Ayad Akhtar, Stephen Adly Guirgis, Young Jean Lee and Quiara Alllegría Hudes – whose backgrounds reflect t…