Filter by
The Sound of Innovation: Stanford and the Computer Music Revolution
How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This grou…
- Edition
- Ed. 1
- ISBN/ISSN
- 9780262328814
- Collation
- -
- Series Title
- -
- Call Number
- 789 NEL s
Ways of hearing
A writer-musician examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. Our voices carry farther than ever before, thanks to digital media. But how are they being heard In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In Ways of…
- Edition
- -
- ISBN/ISSN
- 9780262352154
- Collation
- 1 online resource (136 pages) :illustrations
- Series Title
- -
- Call Number
- -
Understanding the art of sound organization / the Art of Sound Organization
The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (xiii, 303 pages)
- Series Title
- -
- Call Number
- -
Embodied music cognition and mediation technology / Music Cognition and Media…
"Digital media handle music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body p…
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (xv, 297 pages) : illustrations, music
- Series Title
- -
- Call Number
- -
Music and probability / Music and Probability
Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter.
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (xi, 244 pages) :
- Series Title
- -
- Call Number
- -
The Musical Representation : Meaning, Ontology, and Emotion
Annotation
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (400 pages)
- Series Title
- -
- Call Number
- -
Riding the waves : A Life in Sound, Science, and Industry
The life and work of Renaissance man Leo Beranek: scientist, professor, engineer, business leader, inventor, entrepreneur, musician, television executive, philanthropist, and author.
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (x, 235 pages) :
- Series Title
- -
- Call Number
- -
Sound unbound : Sampling Digital Music and Culture
The role of sound and digital media in an information-based society: artists--from Steve Reich and Pierre Boulez to Chuck D and Moby--describe their work.If Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul …
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource
- Series Title
- -
- Call Number
- -
Mechanical sound : Technology, Culture, and Public Problems of Noise in the T…
'Mechanical Sound' traces efforts to control unwanted sound - the noise of industry, city traffic, gramophones and radios, and aircraft - from the late 19th to the late 20th century. Karin Bijsterveld argues that a paradox of control has developed, in which only some forms of noise are regulated by experts and governments.
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (xii, 350 pages) :
- Series Title
- -
- Call Number
- -
The Virtual Score, Volume 12: Representation, Retrieval, Restoration
The Virtual Score examines a broad range of approaches to working with musical scores in ways suited to electronic distribution. The first section, on musical representation and interchange, discusses early music and its multiple editorial stances, scores in Braille musical notation (with and without NIFF), the GUIDO format for "adequate" (as opposed to comprehensive) music representation, Exte…
- Edition
- -
- ISBN/ISSN
- 9780262316187
- Collation
- 1 online resource (ix, 291 pages) :illustrations.
- Series Title
- -
- Call Number
- -
Computer Science, Information & General Works 
Philosophy & Psychology 
Religion 
Social Sciences 
Language 
Pure Science 
Applied Sciences 
Art & Recreation 
Literature 
History & Geography