Reader, where are you?”, wondered, in the mid-1880s, Mikhail Saltykov-Shchedrin, one of the Russian writers that paid the most attention to the readership of his time. Saltykov-Shchedrin’s call did not go unanswered.
Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on prosaics (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a field of possibilities, he maintains that contingency and freedom are real. To represent open time, some ma…
This collective volume aims to highlight the philosophical and literary idea of apocalypse, within some key examples in the Slavic world during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concept…
Postmodern Crises collects previously published and yet unpublished Mark Lipovetsky’s articles on Russian literature and film. Written in different years, they focus on cultural and aesthetic crises that, taken together, constitute the postmodern condition of Russian culture. The reader will find here articles about classic subversive texts (such as Nabokov’s Lolita), performances (Pussy Ri…