"In this book, Michael Madary examines visual experience, drawing on both phenomenological and empirical methods of investigation. He finds that these two approaches--careful, philosophical description of experience and the science of vision--independently converge on the same result: Visual perception is an ongoing process of anticipation and fulfillment. Madary first makes the case for the de…
A Bradford book."OCLC-licensed vendor bibliographic record.
A Bradford book."These essays by Robert Schwartz on topics in the theory of vision are written from a pragmatic perspective. The issues and arguments will interest both philosophers and psychologists, covering new ground and bridging gaps between these disciplines. Schwartz begins historically, with discussions of problems raised and solutions offered in Bishop Berkeley's writings on vision, pr…
A new account of how we perceive the 3D shapes of objects and how to design machines that can see shapes the way we do.OCLC-licensed vendor bibliographic record.
"A Bradford book."Problems in linking representation and perceived things in the world are discussed in light of the role played by a preconceptual indexing mechanism that functions to identify, reidentify, and track objects.OCLC-licensed vendor bibliographic record.
Translated from the German."This classic 1936 work in vision science, written by a leading figure in Germany's Gestalt movement in psychology and appearing in English for the first time, addresses topics that remain of major interest to vision researchers today. Wolfgang Metzger's main argument, drawn from Gestalt theory, is that the objects we perceive in visual experience are not the objects …
How did the human brain evolve so that consciousness of art could develop? In The Psychology of Art and the Evolution of the Conscious Brain, Robert Solso describes how a consciousness that evolved for other purposes perceives and creates art. Drawing on his earlier book Cognition and the Visual Arts and ten years of new findings in cognitive research (as well as new ideas in anthropology and a…
"In Seeing and Visualizing Zenon Pylyshyn argues that seeing is different from thinking and that to see is not, as it may seem intuitively, to create an inner replica of the world. Pylyshyn examines how we see and how we visualize and why the scientific account does not align with the way these processes seem to us "from the inside." In doing so, he addresses issues in vision science, cognitive…
AnnotationOCLC-licensed vendor bibliographic record.