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Does War Belong in Museums?: The Representation of Violence in Exhibitions
Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it d…
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- 9783837623062
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- 708 WAR
Installation Art and the Museum Presentation and Conservation of Changing Ar…
Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks implies that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials and other issues concerning care and management of these artworks. By analysing three in-depth case studies, the author sheds new light on the key concepts of traditional conser…
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The Emergence of the Digital Humanities
The past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world. In The…
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- 9780203093085
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We Are Coming Home Repatriation and the Restoration of Blackfoot Cultural Co…
In 1990, Gerald Conaty was hired as senior curator of ethnology at the Glenbow Museum, with the particular mandate of improving the museum’s relationship with Aboriginal communities. That same year, the Glenbow had taken its first tentative steps toward repatriation by returning sacred objects to First Nations’ peoples. These efforts drew harsh criticism from members of the provincial gover…
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- Gerald T. Conaty
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- 9781771990172.01
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Visiting With the Ancestors Blackfoot Shirts in Museum Spaces
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they h…
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- 9781771990370.01
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- 10.5 x 10, 232 pages
We Are Coming Home Repatriation and the Restoration of Blackfoot Cultural Co…
In 1990, Gerald Conaty was hired as senior curator of ethnology at the Glenbow Museum, with the particular mandate of improving the museum’s relationship with Aboriginal communities. That same year, the Glenbow had taken its first tentative steps toward repatriation by returning sacred objects to First Nations’ peoples. These efforts drew harsh criticism from members of the provincial gover…
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- ISBN/ISSN
- 9781771990172.01
- Collation
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- Series Title
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- 304 pages
The Whipple Museum of the History of Science: Objects and Investigations, to …
Beragam objek koleksi Whipple Museum of the History of Science yang terkenal secara internasional dibuat lega oleh sejumlah sejarawan sains yang sangat dihormati dalam empat belas esai. Setiap bab berfokus pada instrumen atau kelompok objek tertentu, mulai dari astrolabe abad pertengahan Inggris hingga 'indikator sumber benih' pertanian modern hingga koleksi kepala ayam plester yang aneh. Para …
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- 9781108633628
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- T 502.84 NAL w c
We Are Coming Home Repatriation and the Restoration of Blackfoot Cultural Co…
In 1990, Gerald Conaty was hired as senior curator of ethnology at the Glenbow Museum, with the particular mandate of improving the museum’s relationship with Aboriginal communities. That same year, the Glenbow had taken its first tentative steps toward repatriation by returning sacred objects to First Nations’ peoples. These efforts drew harsh criticism from members of the provincial gover…
- Edition
- -
- ISBN/ISSN
- 9781771990172.01
- Collation
- -
- Series Title
- -
- Call Number
- 304 pages
Visiting With the Ancestors Blackfoot Shirts in Museum Spaces
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they h…
- Edition
- -
- ISBN/ISSN
- 9781771990370.01
- Collation
- -
- Series Title
- -
- Call Number
- 10.5 x 10, 232 pages
We Are Coming Home Repatriation and the Restoration of Blackfoot Cultural Co…
We Are Coming Home is the story of the highly complex process of repatriation as described by those intimately involved in the work, notably the Piikani, Siksika, and Kainai elders who provided essential oversight and guidance. We also hear from the Glenbow Museum’s president and CEO at the time and from an archaeologist then employed at the Provincial Museum of Alberta who provides an inside…
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- ISBN/ISSN
- 9781771990172.01
- Collation
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- Series Title
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- Call Number
- 304 pages
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