South Africa possesses one of the richest popular music traditions in the world—from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of…
The study of African music must be grounded in indigenous African knowledge systems, thus making it truly representative of indigenous Africa’s intellectual history. The African Classical Ensemble Music: Theory and Drum-based Concert Series is intended to empower literacy-driven ensemble creativity which, in turn, advances the philosophical, theoretical, medical and humanizing imperatives of …
The study of African music must be grounded in indigenous African knowledge systems, thus making it truly representative of indigenous Africa’s intellectual history. The African Classical Ensemble Music: Theory and Drum-based Concert Series is intended to empower literacy-driven ensemble creativity which, in turn, advances the philosophical, theoretical, medical and humanizing imperatives of …
The study of African music must be grounded in indigenous African knowledge systems, thus making it truly representative of indigenous Africa’s intellectual history. The African Classical Ensemble Music: Theory and Drum-based Concert Series is intended to empower literacy-driven ensemble creativity which, in turn, advances the philosophical, theoretical, medical and humanizing imperatives of …
Offered as a companion to the "Book of Common Prayer" used by Church of England congregations, this volume contains 744 hymn texts for various occasions.
Rhythms abound today, in a time where all manner of rhythms intersect and amplify each other. Rhythmanalysis enables us to discuss lived experience, both in terms of the constraints of contemporary society, but also the affordances (social, technological, cultural) that we all have access to, in different ways. By focusing on rhythms, we recognize how multiple, different forms inform both our…
An investigation of music videos as a form, a practice, and a literacy. Music videos were once something broadcast by MTV and received on our TV screens. Today, music videos are searched for, downloaded, and viewed on our computer screens—or produced in our living rooms and uploaded to social media. In We Used to Wait, Rebecca Kinskey examines this shift. She investigates music video as a for…
An examination of the use of digital badges as a reward for both casual online music evaluators and professional musicians. Professional and amateur musicians alike use social media as a platform for showcasing and promoting their music. Social media evaluation practices—rating, ranking, voting, “liking,” and “friending” by ordinary users, peers, and critics—have become essential pr…
This classic ethnomusicological survey provides as a valuable guide to African music. The essays review a broad swath of genres and topics, including court songs and music history, musical instruments in different traditions, and the connection between Islam and African music. Contributors are Lois Ann Anderson, John Blacking, Philip J. C. Dark, David M. Dixon, Akin Euba, John D. Fage, Matthew …
The richness, variety, and complexity of the culture of the Hausa city-states are illustrated in microcosm in Glossary of Hausa Music and Its Social Contexts, in which several hundred Hausa terms for music are collected. David W. Ames and Anthony V. King concentrate on the kingdoms of Zaria and Katsina, but include historically noteworthy terms from other areas. This compilation not only presen…