First published in German in 1940 and widely recognized as a classic of philosophical anthropology, Laughing and Crying considers this significant pair of types of expressive behavior, considering them both in themselves and in their relation to the fundamental nature of humanity.
In Brenda Murphy's major study of his work she examines Williams' life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal referen…
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often…
Kant, Ontology, and the A Priori is a close study of Kant’s conception of metaphysical propositions. In it Moltke Gram aims to show in what sense Kant is offering a theory of metaphysical propositions about objects in general. Gram presents a criticism of the tendency to focus on Kant’s theory of dialectic as the source of paradigm cases of metaphysical propositions.
Thackeray: The Sentimental Cynic chronicles British novelist William Thackeray’s ambivalent attitudes toward society and traces his conduct during the major crises of his life in terms of those attitudes. Lambert Ennis examines the emotional tensions in Thackeray’s life and the impact they had in his work. In so doing, he illustrates key themes in Victorian studies more broadly: the questio…
This book examines how twentieth-century Spanish American literature has registered photography’s powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the m…
The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s. It is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its …
The Epistemology of G. E. Moore is an examination of the philosophy of G. E. Moore, one of the foremost Anglo-American, analytic philosophers of the twentieth century. This book, together with Reinhardt Grossmann’s Reflections on Frege’s Philosophy and Moltke Gram’s Kant, Ontology, and the A Priori, seeks to redress an imbalance in analytic philosophy by making a case for the relevance of…
"This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent in exploration of textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts…
The Anatomy of Disillusion is an introduction to Heidegger’s phenomenology that focuses on Heidegger’s notion of truth. Unlike many of his contemporaries, W.B. Macomber presents Heidegger as a systematic thinker, whose phenomenology is inextricably bound up with his ontology and epistemology.