Cone Penetration Testing 2018 contains the proceedings of the 4th International Symposium on Cone Penetration Testing (CPT’18, Delft, The Netherlands, 21-22 June 2018), and presents the latest developments relating to the use of cone penetration testing in geotechnical engineering. It focuses on the solution of geotechnical challenges using the cone penetration test (CPT), CPT add-on measurem…
An examination of the use of digital badges as a reward for both casual online music evaluators and professional musicians. Professional and amateur musicians alike use social media as a platform for showcasing and promoting their music. Social media evaluation practices—rating, ranking, voting, “liking,” and “friending” by ordinary users, peers, and critics—have become essential pr…
This classic ethnomusicological survey provides as a valuable guide to African music. The essays review a broad swath of genres and topics, including court songs and music history, musical instruments in different traditions, and the connection between Islam and African music. Contributors are Lois Ann Anderson, John Blacking, Philip J. C. Dark, David M. Dixon, Akin Euba, John D. Fage, Matthew …
The richness, variety, and complexity of the culture of the Hausa city-states are illustrated in microcosm in Glossary of Hausa Music and Its Social Contexts, in which several hundred Hausa terms for music are collected. David W. Ames and Anthony V. King concentrate on the kingdoms of Zaria and Katsina, but include historically noteworthy terms from other areas. This compilation not only presen…
Robotic engineering inspired by biology—biomimetics—has many potential applications: robot snakes can be used for rescue operations in disasters, snake-like endoscopes can be used in medical diagnosis, and artificial muscles can replace damaged muscles to recover the motor functions of human limbs. Conversely, the application of robotics technology to our understanding of biological systems…
Once Upon the Permafrost is a longitudinal climate ethnography about “knowing” a specific culture and the ecosystem that culture physically and spiritually depends on in the twenty-first-century context of climate change. The author, anthropologist Susan Alexandra Crate, has spent three decades working with Sakha, the Turkic-speaking horse and cattle agropastoralists of northeastern Siberia…
Frank Fenner’s life, as it unfolds in these pages, marks a significant piece of thehistory of Australian science. His chapters are studded with the names of manyof the major players in pathology, microbiology and the rising field of virologywith whose lives he interconnected, and his mode of inserting boxed informationon these participants throughout his text provides valuable biograp…
This volume, The Muse as I Hear Her, has been compiled at the urging of ANU Emeritus Faculty to honour Giles Pickford, an admired colleague of long standing. Giles began his appointment in the ANU Public Affairs Division on the 21st of November 1988 and retired on the 8th of May 1998. At that time, a group of colleagues had formed an association that was to become the ANU Emeritus Faculty. From…
Containing details of 390 L.P. and E.P. recordings, African Music on LP: An Annotated Discography contributed to the scholarship of African music at a time when very little had been written. Organized by record label and arranged in alphabetical order, Allen P. Merriam assesses the stylistic characteristics of each recording, providing new insights on the subject and the recording industry at t…
The central aim of this book is to present a new approach to “the field of musical improvisation” (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are “at work” than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural background…