Challenging neocolonialist stereotypes, these critical excursions into Iranian literature and film reveal the limitations of collective identity as it has been configured within and outside of Iran. Through the examination of works by, among others, the iconic female poet Forugh Farrokhzad, the expatriate author Goli Taraqqi, the controversial memoirist Azar Nafisi, and the graphic novelist Mar…
Fletcher was a voracious reader of works in many languages and although he was oriented toward Britain, his writing notably reflects a gaze fixed on a horizon much further away. His work therefore stands in contrast to the tendency of later Canadian writers, who focus inward on the nation, and on issues of Canadian identity. His work as a surveyor allowed him to travel across the country, obser…
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, poetry, drama, and nonfiction as valid subjects of study in their own right. By critically situating and assessing specific Alberta authors according to genre, this volume continues the work begun with Melnyk’s Literary History of Alberta.
As critic Diana Brydon has argued, contemporary Canadian writers are “not transcending nation but resituating it.” Drawing together themes of gender and sexuality, trauma and displacement, performativity, and linguistic diversity, Selves and Subjectivities offers an exciting new contribution to the multivocal dialogue surrounding the Canadian sense of identity.
Reading Vincent van Gogh is at once an interpretive guide to Van Gogh’s letters and a distillation of the key themes that reoccur throughout his collected letters—foremost among them the motifs of suffering, love, imagination, and the ineffable. In this indispensable, synoptic view of the letters, Patrick Grant makes the main lines of Vincent van Gogh’s thinking accessible and displays th…
Fletcher was a voracious reader of works in many languages and although he was oriented toward Britain, his writing notably reflects a gaze fixed on a horizon much further away. His work therefore stands in contrast to the tendency of later Canadian writers, who focus inward on the nation, and on issues of Canadian identity. His work as a surveyor allowed him to travel across the country, obser…
Instead of a focus on what is often described as Canada’s national pastime, contributors examine sports in Canadian literature that are decidedly not hockey. From skateboarding and parkour to fly fishing and curling, these essays engage with Canadian histories and broader societal understandings through sports on the margin. Interspersed with original reflections by iconic Canadian literary f…
This volume builds on Grant’s earlier analysis of Van Gogh’s correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more…
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…
As Grant demonstrates, quite apart from furnishing a highly revealing self-portrait of their author, the letters are compelling for their imaginative and expressive power, as well as for the perceptive commentary they offer on universal human themes. Through a subtle exploration of van Gogh’s contrastive style of thinking and his fascination with the notion of imperfection, Grant illuminates …