In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that it must be increasing, this work has fo…
Charles D. Keeling, climate science, oceanography, music
The present chapter, based on a first-hand examination of all of Egenolff’s music editions, including every known exemplar of ten of the fourteen extant editions, aims to remedy this, so that future work on Egenolff and the music in his editions can rest on a surer bibliographical foundation. The catalogue closes with a number of titles that either do not in fact contain printed music, or the…
We have known for some time that babies possess a keen perceptual sensitivity for the melodic, rhythmic and dynamic aspects of speech and music: aspects that linguists are inclined to categorize under the term ‘prosody’, but which are in fact the building blocks of music. Only much later in a child’s development does he make use of this ‘musical prosody’, for instance in delineating a…
"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition"--OCLC-licensed vendor bibliographic record.
Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and e…
"This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"--OCLC-licensed vendor bibliographic record.
"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Br?vig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--OCLC-licensed vendor bibliographic record.
"Sounding Bodies presents the ancient Greek connections between music and medicine, their reception leading to the "sonic turn" in the eighteenth century, new kinds of sonic intervention in psychic disorders and new biological applications of sound"--OCLC-licensed vendor bibliographic record.
A search for a grammar of music with the aid of generative linguistics.This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Wes…