Frank Fenner’s life, as it unfolds in these pages, marks a significant piece of thehistory of Australian science. His chapters are studded with the names of manyof the major players in pathology, microbiology and the rising field of virologywith whose lives he interconnected, and his mode of inserting boxed informationon these participants throughout his text provides valuable biograp…
This volume, The Muse as I Hear Her, has been compiled at the urging of ANU Emeritus Faculty to honour Giles Pickford, an admired colleague of long standing. Giles began his appointment in the ANU Public Affairs Division on the 21st of November 1988 and retired on the 8th of May 1998. At that time, a group of colleagues had formed an association that was to become the ANU Emeritus Faculty. From…
Containing details of 390 L.P. and E.P. recordings, African Music on LP: An Annotated Discography contributed to the scholarship of African music at a time when very little had been written. Organized by record label and arranged in alphabetical order, Allen P. Merriam assesses the stylistic characteristics of each recording, providing new insights on the subject and the recording industry at t…
The central aim of this book is to present a new approach to “the field of musical improvisation” (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are “at work” than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural background…
Music Worlding in Palau: Chanting, Atmospheres, and Meaningfulness is a detailed study of the performing arts in Palau, Micronesia as holistic techniques enabling the experiential corporeality of music’s meaningfulness—that distinctly musical way of making sense of the world with which the felt body immediately resonates but which, to a significant extent, escapes interpretive techniques. D…
Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? Virtual Works – Actual Things…
Most, if not all of the global biogeochemical cycles on the earth have been broken or are at dangerous tipping points. These broken cycles have expressed themselves in various forms as soil degradation and depletion, ocean acidification, global warming and climate change. The best proposal for an organic solution to fixing the myriad broken cycles is a deliberate investment in solutions that fi…
Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions. Under the heading transposition, seventeen artists, music…
Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words ab…
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and cruc…