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Strindberg's Ghost Sonata
Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play The Ghost Sonata (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. rIn this monograph of the play as text and as performance - the first of its kind - Egil Törnqvist examines, in four chapters, the source text, various translations of it into En…
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- 9789053564356
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- 792 TOR s
Shooting the Family
Do contemporary movements of migration and the ever-increasing abundance of audiovisual media correspond to - or even cause - shifts in the defenition of both the bourgeois nuclear family and the tribal extended family? In Shooting the Family, twelve authors investigate the transfigured role of the family in a transnational world in which intercultural values are negotiated through mass media l…
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- 9789053567500
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- 790.2 STA s
Sergei M. Eisenstein: Notes for a General History of Cinema
One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Francis Ford Coppola, Sam Peckinpah and Akiro Kurosawa.This comprehensive volume of Eisenstein’s writ…
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- 9789089648440
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- 790.2 KLE s
A Second Life
German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of …
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- 9789053561720
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- 790.2 ELS s
Screen Space Reconfigured
Screen Space Reconfigured is the first edited volume that critically and theoretically examines the many novel renderings of space brought to us by 21st century screens. Exploring key cases such as post-perspectival space, 3D, vertical framing, haptics, and layering, this volume takes stock of emerging forms of screen space and spatialities as they move from the margins to the centre of contemp…
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- 9789048529056
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- 791.43 SCR s
The Red Years of Cahiers du Cinéma (1968-1973), Volume II: Aesthetics and On…
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the ""re…
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- 9789048543915
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- 791.43 FAI r
The Red Years of Cahiers du Cinéma (1968-1973), Volume I
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red…
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- ISBN/ISSN
- 9789048543908
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- Series Title
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- 791.43 FAI r
How Mobile Robots Can Self-Organise a Vocabulary
One of the hardest problems in science is the symbol grounding problem, a question that has intrigued philosophers and linguists for more than a century. With the rise of artificial intelligence, the question has become very actual, especially within the field of robotics. The problem is that an agent, be it a robot or a human, perceives the world in analogue signals. Yet humans have the abilit…
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- 9783946234012
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Productive Fandom
This book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value.
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- 9789089649386
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- 791.43 LAM p
Post-Cinema: Cinema in the Post-art Era
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of …
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- 9789048551941
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- 791.43 POS p
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