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Understanding the art of sound organization / the Art of Sound Organization
The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.
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- 1 online resource (xiii, 303 pages)
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Embodied music cognition and mediation technology / Music Cognition and Media…
"Digital media handle music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body p…
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- 1 online resource (xv, 297 pages) : illustrations, music
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Music and probability / Music and Probability
Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter.
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- 1 online resource (xi, 244 pages) :
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The Musical Representation : Meaning, Ontology, and Emotion
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- 1 online resource (400 pages)
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Riding the waves : A Life in Sound, Science, and Industry
The life and work of Renaissance man Leo Beranek: scientist, professor, engineer, business leader, inventor, entrepreneur, musician, television executive, philanthropist, and author.
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- 1 online resource (x, 235 pages) :
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Sound unbound : Sampling Digital Music and Culture
The role of sound and digital media in an information-based society: artists--from Steve Reich and Pierre Boulez to Chuck D and Moby--describe their work.If Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul …
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- 1 online resource
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Mechanical sound : Technology, Culture, and Public Problems of Noise in the T…
'Mechanical Sound' traces efforts to control unwanted sound - the noise of industry, city traffic, gramophones and radios, and aircraft - from the late 19th to the late 20th century. Karin Bijsterveld argues that a paradox of control has developed, in which only some forms of noise are regulated by experts and governments.
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- 1 online resource (xii, 350 pages) :
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The Virtual Score, Volume 12: Representation, Retrieval, Restoration
The Virtual Score examines a broad range of approaches to working with musical scores in ways suited to electronic distribution. The first section, on musical representation and interchange, discusses early music and its multiple editorial stances, scores in Braille musical notation (with and without NIFF), the GUIDO format for "adequate" (as opposed to comprehensive) music representation, Exte…
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- 9780262316187
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- 1 online resource (ix, 291 pages) :illustrations.
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The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the …
An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the …
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- 9780262356947
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Shifting practices reflections on technology practice and innovation
What happens in an established practice or work setting when a novel artifact or tool for doing work changes the familiar work routines? Any unexpected event, or change, or technological innovation creates a discontinuity; organizations and individuals must reframe taken-for-granted assumptions and practices and reposition themselves. To study innovation as a phenomenon, then, we must search fo…
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- 9780262332309
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- 1 online resource (xiii, 287 pages).
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