The Rubáiyát by the Persian poet ‘Umar Khayyæm (1048-1131) is used in contemporary Iran as a resistance literature, symbolizing the secularist voice in cultural debates. While Islamic fundamentalists criticize Khayyæm as an atheist and materialist philosopher who questions God’s creation and the promise of reward or punishment in the hereafter, secularist intellectuals see in him an exa…
Unexpected Subjects is an ethnography of the encounter between women’s words and the demands of the law in the context of adjudications on intimate partner violence. A study of institutional devices, it focuses on women’s practices of resistance and the elicitation of intelligible subjectivities. Using Italy as an illustrative case, Alessandra Gribaldo explores the problematic encounter bet…
Drawing on Bernd Mahr’s model theory, this volume introduces a new approach to Romanticism in contemporary Australian literature. Focusing on two very different authors, David Malouf and the Indigenous poet Samuel Wagan Watson, this book highlights their similarities rather than their differences. It is the first book-length study dedicated specifically to each author’s poetic oeuvre. Compr…
A lecture delivered at the British Academy in 1920, exploring the literary criticism of Byron by two opposing British poets of the Victorian era, Matthew Arnold and Algernon Swinburne.
The sestina is a form in which words repeat regularly, intricately, appearing and reappearing in new contexts with new meanings. Sam Lohmann’s Unless As Stone Is emerged from a few years of living with Dante’s sestina, “Al poco giorno e al gran cerchio d’ombra.” He allowed the text to appear in its own new — if irregularly scheduled — contexts. New translations, new scenery, new m…
This number of Yeats Annual collects the essays resulting from the University College Cork/ESB International Annual W. B. Yeats Lectures Series (2003-2008) by Roy Foster, Warwick Gould, John Kelly, Paul Muldoon, Bernard O’Donoghue and Helen Vendler. Those that were available in pamphlet form are now collectors’ items, but here is the complete series.
This book’s inquiry into contemporary poetry takes two directions. The first direction leads to several close examinations of digital, multi-modal and performative poetry, and how perspectives or perhaps just an awareness of a new media landscape recondition our understanding of an old literary genre. The second direction expands into considerations of contextual theories of affect and atmosp…
In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog, a large collection—more than 3,500 pages of drafts of poems and prose, notebooks, memorabilia, artwork, hundreds of letters to major poets and writers, and thousands of books—now housed at Vassar College. Informed by archival theory and practice, as well as a deep appreciation of Bishop’s …
Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm's role in contemporary literary criticism, including debates about poetic form and genre. This collection intervenes in recent debates over formalism, historicism, poetics, and lyric by focusing on one of literary criticism's most important, most vested, and …
Charles Noble’s long poem playfully connects autobiography, narrative, philosophy, history, and satire and experiments with language and structure in a way that pushes the limits of contemporary poetry. Noble leaves no leaf unturned as he touches on issues related to contemporary Western society, including mass media culture, gender politics, postindustrial technology, and the politics of pos…