Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of “modeling” in the humanities, theory of mimesis and the function of experimental literature in (post)modernist c…
While there have been a number of specialized books in the field of comparative philosophy, and many in the field of comparative religion, there are few scholars who can address both disciplines. Furthermore, when these disciplines are virtually mutually exclusive, as in Western academia, a full appreciation of non-Western approaches to either religion or philosophy is not easily attained, and …
This book examines the great Russian author's attitudes and philosophy toward artistic expression.
This new edition of Núñez’s Anthropocosmic Theatre contains the text of the original English translation plus additional contributions from Núñez and others. In part one, Núñez traces his researches in Nahuatlan, Tibetan and western theatre, to arrive at his design for a theatre of the human in the cosmos. Part Two explores how this work has developed, during the last three decades, int…
"We use evaluative terms and concepts every day. We call actions right and wrong, teachers wise and ignorant, and pictures elegant and grotesque. Philosophers place evaluative concepts into two camps. Thin concepts, such as goodness and badness, and rightness and wrongness have evaluative content, but they supposedly have no or hardly any nonevaluative, descriptive content: they supposedly give…
Nandita Dinesh places Kipling’s 'six honest serving-men' (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh’s personal narrative with the public story of modern conflict, illustrating a…
There is an age-old tradition in linguistics and philosophy to identify the meaning of a entence with its truth-conditions. This can be explained by the fact that linguistic and philosophical investigations are usually carried out in a logical framework that was originally designed to characterize valid reasoning. Indeed, in order to determine whether an argument is valid, it suffices to know t…
The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Werner Fassbinder, focusing along the way on such major figu…
The latter half of the 20th Century witnessed an ‘intensional revolution’: a great collective effort to analyse notions which are absolutely fundamental to our understanding of the world and of ourselves – from meaning and information to knowledge, belief, causation, essence, supervenience, conditionality, as well as nomological, metaphysical, and logical necessity – in terms of a singl…
The concept of 'worldmaking' is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance world…