Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness?
In UNTHINKING MASTERY Julietta Singh demonstrates how pervasive the concept of mastery has been to modern politics, even to anti-colonial thought, which rejects forms of political domination and subjection. Anti-colonial discourse, Singh argues, has sought to recuperate the humanity of the colonized in ways that remain bound to masterful formulations of subjectivity. Drawing on postcolonial the…
In Unbecoming Language, Annabel L. Kim examines a corpus of French literature writing against difference. Inaugurated by Nathalie Sarraute and sustained in the work of Monique Wittig and Anne Garréta, this corpus highlights three generations of the twentieth and recent twenty-first centuries and the direct chain of influence between them. Kim considers these writers, and the story of literatur…
In the years following 1975, a group of female-created comic strips came to national attention in a traditionally male-dominated medium. Typical Girls: The Rhetoric of Womanhood in Comic Strips uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women’s roles at a time of great change in history and in comic art. Thi…
Twilight of the Avant-Garde: Spanish Poetry 1980-2000 addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambitiousness of modernist poetry at the end of the twentieth century. Jonathan Mayhew first offers a critical analysis of the called 'poetry of experience' of Luis García Montero, a tendency that is based on the supposed obsolescence of the …
By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany’s leading playwrights was all but secured. Consisting of Wallenstein’s Camp, The Piccolomini and The Death of Wallenstein, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller’s collaborator and mentor, Johann Wolfgang (von) Goethe.…
Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles t…
Featuring a number of distinguished essays by internationally known Russian cultural historians Boris Uspenskij and Victor Zhivov, this collection encompasses various ground-breaking works appearing in English for the first time. Focusing on several of the most interesting and problematic aspects of Russia's cultural development, these essays examine the survival and reconceptualization of Russ…
Tristan und Isolde (Tristan and Iseult) remains one of the most popular romances ever written. Although the tale was believed to have originated in Germany, bards in France and Britain composed their own versions of the story, a tale of adultery, betrayal, mistaken identity, and thwarted love. In The Tristan Legend, Sigmund Eisner offers a study of the sources of the Tristan romance, tracing th…
Using Vladimir Nabokov as its case study, this volume approaches translation as a crucial avenue into literary history and theory, philosophy and interpretation. It attempts to bring together issues in translation and the shift in Nabokov studies from its earlier emphasis on the metaliterary to the more recent metaphysical approach. Addressing specific texts (both literary and cinematic), the b…