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The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…
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- 9781771992244.01
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- 6 x 9, 248 pages
Familiar and Foreign Identity in Iranian Film and Literature
Challenging neocolonialist stereotypes, these critical excursions into Iranian literature and film reveal the limitations of collective identity as it has been configured within and outside of Iran. Through the examination of works by, among others, the iconic female poet Forugh Farrokhzad, the expatriate author Goli Taraqqi, the controversial memoirist Azar Nafisi, and the graphic novelist Mar…
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- 9781927356869.01
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- 272 pages
Of Sunken Islands and Pestilence Restoring the Voice of Edward Taylor Fletch…
Fletcher was a voracious reader of works in many languages and although he was oriented toward Britain, his writing notably reflects a gaze fixed on a horizon much further away. His work therefore stands in contrast to the tendency of later Canadian writers, who focus inward on the nation, and on issues of Canadian identity. His work as a surveyor allowed him to travel across the country, obser…
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- 9781771993449.01
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- 6x9 , 220 pages
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