"Music videos were once something broadcast by MTV and received on our TV screens. Today, music videos are searched for, downloaded, and viewed on our computer screens -- or produced in our living rooms and uploaded to social media. In We Used to Wait, Rebecca Kinskey examines this shift. She investigates music video as a form, originally a product created by professionals to be consumed by non…
The life and work of Renaissance man Leo Beranek: scientist, professor, engineer, business leader, inventor, entrepreneur, musician, television executive, philanthropist, and author.OCLC-licensed vendor bibliographic record.
Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter.OCLC-licensed vendor bibliographic record.
'Mechanical Sound' traces efforts to control unwanted sound - the noise of industry, city traffic, gramophones and radios, and aircraft - from the late 19th to the late 20th century. Karin Bijsterveld argues that a paradox of control has developed, in which only some forms of noise are regulated by experts and governments.OCLC-licensed vendor bibliographic record.
The role of sound and digital media in an information-based society: artists--from Steve Reich and Pierre Boulez to Chuck D and Moby--describe their work.If Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul …
AnnotationOCLC-licensed vendor bibliographic record.
The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.OCLC-licensed vendor bibliographic record.
"Digital media handle music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body p…
"A Bradford book."OCLC-licensed vendor bibliographic record.
"Musicians begin formal training by acquiring a body of musical concepts commonly known as musicianship. These concepts underlie the musical skills of listening, performance, and composition. Like humans, computer music programs can benefit from a systematic foundation of musical knowledge. This book explores the technology of implementing musical processes such as segmentation, pattern process…