The symposium entitled Vekhi, or Landmarks, is one of the most famous publications in Russian intellectual and political history. Its fame rests on the critique it offers of the phenomenon of the Russian intelligentsia. It was published in 1909, under the editorship of Mikhail Gershenzon, as a polemical response to the revolution of 1905, the failed outcome of which was deemed by all the Landma…
The first book-length study of gossip’s place in the literature of the multilingual Caribbean reveals gossip to be a utilitarian and deeply political practice—a means of staging the narrative tensions, and waging the narrative battles, that mark Caribbean politics and culture. Revising the overly gendered existing critical frame, Rodríguez Navas argues that gossip is a fundamentally advers…
n How Comics Travel: Publication, Translation, Radical Literacies, Katherine Kelp-Stebbins challenges the clichéd understanding of comics as a “universal” language, circulating without regard for cultures or borders. Instead, she develops a new methodology of reading for difference. Kelp-Stebbins’s anticolonial, feminist, and antiracist analytical framework engages with comics as sites o…
How to Read a Folktale offers the first English translation of Ibonia, a spellbinding tale of old Madagascar. Ibonia is a folktale on epic scale. Much of its plot sounds familiar: a powerful royal hero attempts to rescue his betrothed from an evil adversary and, after a series of tests and duels, he and his lover are joyfully united with a marriage that affirms the royal lineage. These fairytal…
Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to ‘high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic drive of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually re…
Scholars have long studied the impact of Charles Darwin's writings on nineteenth-century culture. However, few have ventured to examine the precursors to the ideas of Darwin and others in the Romantic period. Marking Time, edited by Joel Faflak, analyses prevailing notions of evolution by tracing its origins to the literary, scientific, and philosophical discourses of the long nineteenth centur…
Whose History? aims to illustrate how historical novels and their related genres may be used as an engaging teacher/learning strategy for student teachers in pre-service teacher education courses. It does not argue all teaching of History curriculum in pre-service units should be based on the use of historical novels as a stimulus, nor does it argue for a particular percentage of the use of his…
In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was not, as many assume, the creation of a book of poetry. A book emerged, to be sure—the landmark Lyrical Ballads. But in Murder Ballads, David John Brennan posits that the two poets were in fact pursuing far different ends: to birth from their poems a singular, idealized Poet. Despite their…
Sustainability has become a key socio-political issue over recent years. However, whilst the literary-critical community has advanced enthusiastically on an exciting range of environmentally-based analyses (most obviously through the work of ecocriticism), its response specifically to sustainability—as an attempt to reconceptualise the way we live, as an idea with a particular history, a…
Gog and Magog, as archetypes of evil, have dwelt in our consciousness since their threatening appearance in the Bible and Quran. Maps, literature and texts ranging from Medieval Europe, the Byzantine and Arab world, in Berber, Persian and Indonesian traditions, to contemporary internet texts: all use these imaginary monstrous creatures. The figures are constantly reinterpreted as the enemies of…