Two prominent thinkers argue for the possibility of a theory of concepts that takes reference to be concepts' sole semantic property.OCLC-licensed vendor bibliographic record.
This is the only contemporary text to cover both epistemology and philosophy of mind at an introductory level. It also serves as a general introduction to philosophy: it discusses the nature and methods of philosophy as well as basic logical tools of the trade. The book is divided into three parts. The first focuses on knowledge, in particular, skepticism and knowledge of the external world, an…
"Breakthrough Prize recipient Joseph Polchinksi (now deceased) reveals details of his upbringing, his collaborations with major figures in physics, and his significant contributions to string theory and cosmology"--OCLC-licensed vendor bibliographic record.
A Bradford book."OCLC-licensed vendor bibliographic record.
A Bradford book."In this book, Alan Berger further develops the new theory of reference -- as formulated by Kripke and Putnam -- applying it in novel ways to many philosophical problems concerning reference and existence. Berger argues that his notion of anaphoric background condition and anaphoric links within a linguistic community are crucial not only to a theory of reference, but to the ana…
The second of eight books of the correspondence of George Santayana.Since the first selection of George Santayana's letters was published in 1955, shortly after his death, many more letters have been located. The Works of George Santayana, Volume V, brings together a total of more than 3,000 letters. The volume is divided chronologically into eight books of roughly comparable length. Book Two c…
A Bradford book."OCLC-licensed vendor bibliographic record.
A Bradford book."OCLC-licensed vendor bibliographic record.
A history of images in motion that explores the "special effect" of cinema. It has been said that all cinema is a special effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digi…
Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions about about who really has a voice in the culture and what unseen influences affect the look of things designers produce. Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin appr…