How digital technologies affect the way we conceive of the self and its relation to the world, considered through the lens of media art practices. In Tactics of Interfacing, Ksenia Fedorova explores how digital technologies affect the way we conceive of the self and its relation to the world. With the advent of ubiquitous computing, the self becomes an object of technological application, in…
A collection that goes beyond the canon to analyze influential yet under-examined works of electronic music. This collection of writings on electronic music goes outside the canon to analyze influential works by under-recognized musicians. The contributors, many of whom are composers and performers themselves, offer their unsung musical heroes the sort of in-depth examinations usually reserved…
How “drowned town” literature, road movies, energy landscape photography, and “death train” narratives represent the brutality of industrial infrastructures. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. In this book, Michael Truscello looks at the industrial infrastructure not as …
Carnival Texts comprises three related dramatic works, all of which have as their point of departure Russian theorist Mikhail Bakhtin’s concept of carnival, a literary style designed to subvert dominant assumptions through chaos and humour. Making creative use of post-Brechtian performance theory, these texts blur the distinction between spectator and performer in a fascinating exploration of…
Manga Vision examines cultural and communicative aspects of Japanese comics, drawing together scholars from Japan, Australia and Europe working in areas as diverse as cultural studies, linguistics, education, music, art, anthropology, and translation, to explore the influence of manga in Japan and worldwide via translation, OEL manga and fan engagement. This volume includes a mix of theoretical…
In this book, which grew out of a landmark NMAI symposium in 1995, Native and non-Native scholars and museum professionals explore issues concerning the representation of Indians and their cultures by museums in North America. Traditional museum exhibitions of Native American art and culture often represented only the past, ignoring the living Native voice. Today, museums have begun to incorpor…
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China, offers a wide, penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese cul…
Technocrats of the Imagination traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany’s Bauhaus movement to the U.S. art world and interacted with government-funde…
Today more than ever before, the historical witness is now a “museum objectâ€_x009d_ in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this stud…
This book presents, for the first time, the unpublished manuscripts of Lars Hörmander, written between 1951 and 2007. Hörmander himself organised the manuscripts and also wrote the notes explaining their origins, presenting the material in the form he fully intended it to be published in. As his daughter, Sofia Broström, mentions in the Foreword, towards the end of his life, Hörmander "care…