In this volume, ghost stories are studied in the context of their media, their place in history and geography. From prehistory to this day, we have been haunted by our memories, the past itself, by inklings of the future, by events playing outside our lives, and by ourselves. Hence the lure of ghost stories throughout history and presumably prehistory. Science has been a great destroyer of myth…
In 1901, R. W. Paul, one of Britain’s first filmmakers, releasedThe Countryman and the Cinematograph,a film that reflexively “explains” cinema just five years into this new narrative form. It depicts a countryman at the movies, who mistakes cinematic illusion for real-world phenomena: he attempts to dance with a lovely on-screen dancing girl (figure 1) and flees a filmic train seemingly m…
Forms of Exile in Jewish Literature and Thought deals with the concept of exile on many levels—from the literal to the metaphorical. It combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl. It follows the typical routes that exiled writers took, from East to West and…
The New Atlantis has fired the imaginations of its readers since its original appearance in 1627. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced 'scientific' society, it is also read as a seminal work of science fiction. Standing at the threshold of early modern culture, this key text incorporates the practical and visionary, utility and utopia. This volu…
The first genocide of the twentieth century, though not well known, was committed by Germans between 1904–1907 in the country we know today as Namibia, where they exterminated hundreds of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman—lacking any kind of civilization, history, or meanin…
In Gender Violence and the Transnational Politics of the Honor Crime, Dana M. Olwan examines how certain forms of violence become known, recognized, and contested across multiple geopolitical contexts—looking specifically at a particular form of gender-based violence known as the “honor crime” and tracing how a range of legal, political, and literary texts inform normative and critical un…
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the "beginnings" of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic…
Empire Girls: the colonial heroine comes of age is a critical examination of three novels by writers from different regions of the British Empire: Olive Schreiner’s The Story of An African Farm (South Africa), Sara Jeannette Duncan’s A Daughter of Today (Canada) and Henry Handel Richardson’s The Getting of Wisdom (Australia). All three novels commence as conventional Bildungsromane, yet t…
On the unstable boundaries between “interior” and “exterior,” “private” and “public,” and always in some way relating to a “beyond,” the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature — from the odd room over the womb, secluded parks, and train c…
"In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced …