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Found 180 from your keywords: subject="Modern"
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GrowthFrom microorganisms to megacities
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Smil, Vaclav,

OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
9780262354516
Collation
1 online resource (688 pages).
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Think tank aesthetics :midcentury modernism, the Cold War, and the neoliberal…
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Lee, Pamela M.,

How the approaches and methods of think tanks--including systems theory, operational research, and cybernetics--paved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics , Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks--including systems theory, operations research,…

Edition
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ISBN/ISSN
9780262357029
Collation
1 online resource (360 pages).
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How history gets things wrong :the neuroscience of our addiction to stories
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Rosenberg, Alexander,

Why we learn the wrong things from narrative history, and how our love for stories is hard-wired. To understand something, you need to know its history. Right? Wrong, says Alex Rosenberg in How History Gets Things Wrong . Feeling especially well-informed after reading a book of popular history on the best-seller list? Don't. Narrative history is always, always wrong. It not just incomplete or i…

Edition
-
ISBN/ISSN
9780262348416
Collation
1 online resource (289 pages, 8 unnumbered pages of color plates) :illustrations (some color), maps
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The mental life of modernism :why poetry, painting, and music changed at the …
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Keyser, Samuel Jay,

An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Ind…

Edition
-
ISBN/ISSN
9780262356947
Collation
1 online resource (240 pages).
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cover
We are all monsters :how deviant organisms came to define us
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Mangham, Andrew,

"How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"--OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
9780262372473
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1 online resource
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Liquidation world :on the art of living absently
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Kukuljevic, Alexi,

In ' Liquidation World', Alexi Kukuljevic examines a distinctive form of subjectivity animating the avant-garde: that of the darkly humorous and utterly disoriented subject of modernity, a dissolute figure that makes an art of its own vacancy, an object of its absence. Shorn of the truly rotten illusion that the world is a fulfilling and meaningful place, these subjects identify themselves by a…

Edition
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ISBN/ISSN
9780262342124
Collation
1 online resource.
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Aesthetics of interaction in digital art
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Kwastek, Katja,

"Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media ali…

Edition
-
ISBN/ISSN
9781461944423
Collation
1 online resource (xxii, 357 pages) :illustrations
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The tone of our times :sound, sense, economy, and ecology
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Dyson, Frances.

Sound, tone, music, voice, and noise as forms of sonority through which our current economic and ecological crises can be understood.OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
9780262320580
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1 online resource.
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cover
Histories of the immediate present :inventing architectural modernism
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Vidler, Anthony.

How the different narratives of four historians of architectural modernism-Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri-advanced specific versions of modernism.OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
9780262288163
Collation
1 online resource (xvi, 239 pages) :illustrations.
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cover
Art power
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Gro?is, Boris.

Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function.…

Edition
-
ISBN/ISSN
9780262274449
Collation
1 online resource (187, [3] pages)
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