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The Exhibitor as Producer = Stage Prologues in American Movie Theatres, 1917-…
This open access book seeks answers to a series of questions about the little studied subject of prologues or theatrical presentations in American movie theaters from the late 1910s to the mid-1920s. How did prologues emerge out of prior practices? Who were the exhibitors most involved? What characteristics would come to define prologues? How widespread did they become not only in metropolitan …
- Edition
- 1
- ISBN/ISSN
- 9783031717819
- Collation
- XVII, 199 hlm; ill., lamp.,
- Series Title
- -
- Call Number
- -
Vulnerability in Scandinavian Art and Culture
In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is v…
- Edition
- 1
- ISBN/ISSN
- 9783030373825
- Collation
- XVII, 324 hlm; ill., lamp.,
- Series Title
- -
- Call Number
- -
Television Drama from Germany
This open access book examines how TV professionals in Germany have negotiated “quality TV drama” from 2015 to the present. As practitioners have adapted quality TV – a term most strongly associated with US series – to their own national context, they have simultaneously dealt with shifts in screenwriting and storytelling as well as with broader transformations of the local television i…
- Edition
- 1
- ISBN/ISSN
- 978-3-031-60622-9
- Collation
- oer.unej.ac.id
- Series Title
- Palgrave Studies in Screenwriting
- Call Number
- 370
Is it French? Popular Postnational Screen Fiction from France
This book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tenden…
- Edition
- 1
- ISBN/ISSN
- 978-3-031-39195-8
- Collation
- -
- Series Title
- Palgrave European Film and Media Studies
- Call Number
- XXIII, 302
Rethinking Film Festivals in the Pandemic Era and After
This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format…
- Edition
- 1
- ISBN/ISSN
- -
- Collation
- -
- Series Title
- Framing Film Festivals
- Call Number
- XIX, 342
Fate and Freedom in Korean Historical Films
This open access book examines the depiction of Korean history in recent South Korean historical films. Released over the Hallyu (“Korean Wave”) period starting in the mid-1990s, these films have reflected, shaped, and extended the thriving public discourse over national history. In these works, the balance between fate and freedom—the negotiation between societal constraints and individu…
- Edition
- -
- ISBN/ISSN
- 978-3-031-27267-7
- Collation
- XIX, 255
- Series Title
- -
- Call Number
- -
On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton
The collected writings of artist and filmmaker Hollis Frampton, including all the essays from the long-unavailable Circles of Confusion along with rare additional material.
- Edition
- -
- ISBN/ISSN
- -
- Collation
- 1 online resource (xx, 331 pages) : illustrations (some color).
- Series Title
- -
- Call Number
- -
The Cinema Effect
A history of images in motion that explores the "special effect" of cinema. It has been said that all cinema is a special effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digi…
- Edition
- -
- ISBN/ISSN
- 9780262270991
- Collation
- -
- Series Title
- -
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- -
The machinima reader
This is a critical overview of the emerging field of machinima the use of computer game engines to create movies.OCLC-licensed vendor bibliographic record.
- Edition
- -
- ISBN/ISSN
- 9780262295369
- Collation
- 1 online resource (x, 345 pages) :illustrations
- Series Title
- -
- Call Number
- -
Digital Storytelling: The Narrative Power of Visual Effects in Film
How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more a…
- Edition
- -
- ISBN/ISSN
- 9780262304184
- Collation
- -
- Series Title
- -
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