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Found 22 from your keywords: subject="Cinema"
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cover
After the Break
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TEURLINGS, JanVALCK, Marijke de

Television as we knew it is irrevocably changing. Some are gleefully announcing the death of television, others have been less sanguine but insist that television is radically changing underneath our eyes. Several excellent publications have dealt with television's uncertain condition, but few have taken the specific question of what television's transformations mean for the discipline of Telev…

Edition
-
ISBN/ISSN
978 90 8964 522 7
Collation
204
Series Title
Televisual Culture
Call Number
-
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cover
A Geography of Unconventional Tourist Mobility: New Approaches and Methodologies
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Irimiás, Anna RitaTimothy, Dallen J.Michalkó, Gábor

Prior to the COVID-19 pandemic, tourism had permeated all spaces of experience, reaching every country, region, settlement, and corner of the globe. In recent decades, the meanings, implications, and roles of tourism have also significantly expanded. This Special Issue focuses on unconventional tourism mobilities and same-day visits, which are an important but often neglected part of the touris…

Edition
-
ISBN/ISSN
9783036572437
Collation
220 hlm
Series Title
-
Call Number
-
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cover
A Credible Utopia : Essays on Selected Films of Werner Schroeter
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Valente, Peter

A Credible Utopia: Essays on Selected Films of Werner Schroeter offers unique and personal insights into Schroeter’s cinematic universe. Many of the films discussed in this book are those upon which Schroeter’s worldwide reputation rests: Der Bomberpilot, an absurdist comedy; The Death of Maria Malibran, a film about ecstatic redemption in death; Willow Springs, about the complex relationsh…

Edition
-
ISBN/ISSN
9781685710576
Collation
-
Series Title
-
Call Number
-
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cover
The Exhibitor as Producer; Stage Prologues in American Movie Theatres, 1917-1926
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ABEL, Richard Abel

This open access book seeks answers to a series of questions about the little studied subject of prologues or theatrical presentations in American movie theaters from the late 1910s to the mid-1920s. How did prologues emerge out of prior practices? Who were the exhibitors most involved? What characteristics would come to define prologues? How widespread did they become not only in metropolitan …

Edition
1
ISBN/ISSN
978-3-031-71781-9
Collation
XVII, 199
Series Title
-
Call Number
-
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cover
Cinema and the Festivalization of Capitalism
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Ann Vogel

Film festivals around the world are in the business of making experiences for audiences, elites, industry, professionals, and even future cultural workers. Cinema and the Festivalization of Capitalism explains why these non-profit organizations work as they do: by attracting people who work for free, while appealing to businesses and policymakers as a cheap means to illuminate the creative city…

Edition
-
ISBN/ISSN
978-90-04-52396-8
Collation
oer.unej.ac.id
Series Title
Contemporary Cinema, Volume: 9
Call Number
-
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cover
The Exhibitor as Producer = Stage Prologues in American Movie Theatres, 1917-…
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Richard Abel

This open access book seeks answers to a series of questions about the little studied subject of prologues or theatrical presentations in American movie theaters from the late 1910s to the mid-1920s. How did prologues emerge out of prior practices? Who were the exhibitors most involved? What characteristics would come to define prologues? How widespread did they become not only in metropolitan …

Edition
1
ISBN/ISSN
9783031717819
Collation
XVII, 199 hlm; ill., lamp.,
Series Title
-
Call Number
-
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cover
Vulnerability in Scandinavian Art and Culture
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Adriana Margareta DancusMats HyvönenMaria Karlsson

In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is v…

Edition
1
ISBN/ISSN
9783030373825
Collation
XVII, 324 hlm; ill., lamp.,
Series Title
-
Call Number
-
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cover
Television Drama from Germany
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Florian Krauß

This open access book examines how TV professionals in Germany have negotiated “quality TV drama” from 2015 to the present. As practitioners have adapted quality TV – a term most strongly associated with US series – to their own national context, they have simultaneously dealt with shifts in screenwriting and storytelling as well as with broader transformations of the local television i…

Edition
1
ISBN/ISSN
978-3-031-60622-9
Collation
oer.unej.ac.id
Series Title
Palgrave Studies in Screenwriting
Call Number
370
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cover
Is it French? Popular Postnational Screen Fiction from France
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Mary Harrod, Raphaëlle Moine

This book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tenden…

Edition
1
ISBN/ISSN
978-3-031-39195-8
Collation
-
Series Title
Palgrave European Film and Media Studies
Call Number
XXIII, 302
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cover
Rethinking Film Festivals in the Pandemic Era and After
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Marijke de Valck, Antoine Damiens

This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format…

Edition
1
ISBN/ISSN
-
Collation
-
Series Title
Framing Film Festivals
Call Number
XIX, 342
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