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Found 6 from your keywords: subject="Computer music"
cover
The Sound of Innovation: Stanford and the Computer Music Revolution
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NELSON,, Andrew J.

How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This grou…

Edition
Ed. 1
ISBN/ISSN
9780262328814
Collation
-
Series Title
-
Call Number
789 NEL s
cover
Understanding the art of sound organization / the Art of Sound Organization
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Landy, Leigh,

The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.

Edition
-
ISBN/ISSN
-
Collation
1 online resource (xiii, 303 pages)
Series Title
-
Call Number
-
cover
Shifting practices reflections on technology practice and innovation
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Lanzara, Giovan Francesco,

What happens in an established practice or work setting when a novel artifact or tool for doing work changes the familiar work routines? Any unexpected event, or change, or technological innovation creates a discontinuity; organizations and individuals must reframe taken-for-granted assumptions and practices and reposition themselves. To study innovation as a phenomenon, then, we must search fo…

Edition
-
ISBN/ISSN
9780262332309
Collation
1 online resource (xiii, 287 pages).
Series Title
-
Call Number
-
cover
Between the tracks :musicians on selected electronic music
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Puckette, Miller,Hagan, Kerry L.,

"Between the Tracks will analyze works by composers and researchers who have been under-examined in standard electronic music history books"--OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
0262359510
Collation
1 online resource.
Series Title
-
Call Number
-
cover
Understanding the art of sound organization
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Landy, Leigh,

The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
9780262277914
Collation
1 online resource (xiii, 303 pages)
Series Title
-
Call Number
-
cover
Microsound
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Roads, Curtis.

A comprehensive presentation of the techniques and aesthetics of composition with sound particles.OCLC-licensed vendor bibliographic record.

Edition
-
ISBN/ISSN
9780262282444
Collation
1 online resource (xii, 409 pages) :illustrations
Series Title
-
Call Number
-