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Found 10 from your keywords: subject="Cultural Studies, Fil...
cover
Film and the City the Urban Imaginary in Canadian Cinema
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MELNYK,George

Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Dra…

Edition
-
ISBN/ISSN
9781927356593.01
Collation
-
Series Title
-
Call Number
319 pages
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cover
Screening Nature and Nation The Environmental Documentaries of the National …
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CLEMENS,Michael D.

The stunning portrayals of the Canadian landscape in the documentaries produced by the National Film Board of Canada not only influenced cinematic language, but shaped our perception of the environment. In the early days of the organization, nature films produced by the NFB supported the Canadian government’s nation-building project and show the state as an active participant in the cultural …

Edition
-
ISBN/ISSN
9781771993357.01
Collation
-
Series Title
-
Call Number
6x9, 232 pages
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The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
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MCCUTCHEON,Mark A.

Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…

Edition
-
ISBN/ISSN
9781771992244.01
Collation
-
Series Title
-
Call Number
6 x 9, 248 pages
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cover
The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
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MCCUTCHEON,Mark A.

Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…

Edition
-
ISBN/ISSN
9781771992244.01
Collation
-
Series Title
-
Call Number
6 x 9, 248 pages
Availability0
Add to basket
MARC DownloadCite
cover
Familiar and Foreign Identity in Iranian Film and Literature
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MANNANI,ManijehTHOMPSON,Veronica

The current political climate of confrontation between Islamist regimes and Western governments has resulted in the proliferation of essentialist perceptions of Iran and Iranians in the West. Such perceptions do not reflect the complex evolution of Iranian identity that occurred in the years following the Constitutional Revolution (1906–11) and the anti-imperialist Islamic Revolution of 1979.…

Edition
-
ISBN/ISSN
9781927356869.01
Collation
-
Series Title
-
Call Number
272 pages
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cover
Screening Nature and Nation The Environmental Documentaries of the National …
Comment Share
CLEMENS,Michael D.

The stunning portrayals of the Canadian landscape in the documentaries produced by the National Film Board of Canada not only influenced cinematic language, but shaped our perception of the environment. In the early days of the organization, nature films produced by the NFB supported the Canadian government’s nation-building project and show the state as an active participant in the cultural …

Edition
-
ISBN/ISSN
9781771993357.01
Collation
-
Series Title
-
Call Number
6x9, 232 pages
Availability0
Add to basket
MARC DownloadCite
cover
The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
Comment Share
MCCUTCHEON,Mark A.

Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…

Edition
-
ISBN/ISSN
9781771992244.01
Collation
-
Series Title
-
Call Number
6 x 9, 248 pages
Availability0
Add to basket
MARC DownloadCite
cover
Film and the City The Urban Imaginary in Canadian Cinema
Comment Share
MELNYK,George

Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Dra…

Edition
-
ISBN/ISSN
9781927356593.01
Collation
-
Series Title
-
Call Number
319 pages
Availability0
Add to basket
MARC DownloadCite
cover
Familiar and Foreign Identity in Iranian Film and Literature
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MANNANI,ManijehTHOMPSON,Veronica

Challenging neocolonialist stereotypes, these critical excursions into Iranian literature and film reveal the limitations of collective identity as it has been configured within and outside of Iran. Through the examination of works by, among others, the iconic female poet Forugh Farrokhzad, the expatriate author Goli Taraqqi, the controversial memoirist Azar Nafisi, and the graphic novelist Mar…

Edition
-
ISBN/ISSN
9781927356869.01
Collation
-
Series Title
-
Call Number
272 pages
Availability0
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cover
Reel Time Movie Exhibitors and Movie Audiences in Prairie Canada, 1896 to 1986
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SEILER,Robert M.SEILER,Tamara P.

As marketing efforts, the lavish interiors of the movie palace and the romantic view of the local movie theatre concealed a competitive environment in which producers, exhibitors, and distributors tried to monopolize the industry and drive their rivals out of business. The pitched battles and power struggles between national movie theatre chains took place at the same time that movie exhibitors…

Edition
-
ISBN/ISSN
978-1-926836-99-7
Collation
-
Series Title
-
Call Number
397 pages
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