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The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…
- Edition
- -
- ISBN/ISSN
- 9781771992244.01
- Collation
- -
- Series Title
- -
- Call Number
- 6 x 9, 248 pages
The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…
- Edition
- -
- ISBN/ISSN
- 9781771992244.01
- Collation
- -
- Series Title
- -
- Call Number
- 6 x 9, 248 pages
The Medium Is the Monster Canadian Adaptations of Frankenstein and the Disco…
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Cana…
- Edition
- -
- ISBN/ISSN
- 9781771992244.01
- Collation
- -
- Series Title
- -
- Call Number
- 6 x 9, 248 pages
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