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Cultural Convergence : The Dublin Gate Theatre, 1928–1960
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objecti…
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Early Modern Ireland and the world of medicine Practitioners, collectors and…
This chapter seeks to situate James Butler, duke of Ormond, at the centre of an important patronage network for medicine in Restoration Britain and Ireland. It explores the Irish dimension of the emergence of the Society of Chemical Physicians and situates it against the background provided by the momentous Cromwellian period in Ireland. Particular attention is paid to Pierre Belon, a Huguenot …
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