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Chapter 5 Audience responses in the light of perception–action theories of …
In recent years, empathy has received considerable research attention as a means of understanding a range of psychological phenomena, and it is fast drawing attention within the fields of music psychology and music education. This volume seeks to promote and stimulate further research in music and empathy, with contributions from many of the leading scholars in the fields of music psychology, n…
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- 9781472445803
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Chapter 5 Audience responses in the light of perception–action theories of …
In recent years, empathy has received considerable research attention as a means of understanding a range of psychological phenomena, and it is fast drawing attention within the fields of music psychology and music education. This volume seeks to promote and stimulate further research in music and empathy, with contributions from many of the leading scholars in the fields of music psychology, n…
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- ISBN/ISSN
- 9781472445803
- Collation
- oer.unej.ac.id
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The Risk of Improvised Music
As far as I know, no-one has lost their life directly in the pursuit of Improvised Music-making, but the story nonetheless suggests various important questions.
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- 9780367203641, 9781032016498
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- 17
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Chapter 37 Improv, Stand-Up, and Comedy
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first …
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- 9780367203641
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Chapter 31 The End of a Golden Era of British Music? Exploration of Educatio…
The creative industries, and particularly our UK Music industry, are perceived as healthy, resilient and strong. However, with the ongoing policy changes in secondary and higher education, as well as the continued cuts to council budgets and the ongoing lack of commitment to wealth distribution and even investment in the whole nation, this golden era of the creative industries in the UK may not…
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- 9781138498211
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Art, Play, Labour: the Music Profession in Germany (1850–1960)
Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and …
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- 9789004542723
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Art of Fugue
Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most infl uential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played …
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- 9780520962590
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- oer.unej.ac.id
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Act Two. What Makes Popular Christian Music “Popular”?. A Comparison Betw…
The article discusses the question “What makes Popular Christian Music ‘popular’?” by applying different (competing) concepts of the term “popular” so as to showcase by which criteria Popular Christian Music (labelled as Contemporary Christian Music by the US music industry) can be described as “popular”. Thereby, the article compares both Anglo-American and German-language Chri…
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Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Vi…
Popular music’s use of visual media makes its listeners also its viewers. From concert posters, tickets stubs and stage design to music videos, CD covers and clothes, material visual products are utilized by bands and fans alike to emphasize their sound, represent ideas or lyrics, self-stylize, sell the product and generate recognition for their in-group. As with other forms of popular cultur…
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- oer.unej.ac.id
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- Journal for Religion, Film and Media,
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Acoustemologies in Contact
"In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors …
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- 9781800640399
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- oer.unej.ac.id
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- Music recording
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