State-sponsored disinformation around the globe: how politicians deceive thei…

Introduction : deceiving from the top : state-sponsored disinformation as a contemporary global phenomenon / Martin Echeverría and Sara García Santamaría -- Theoretical understanding of state-sponsored disinformation / Petros Iosifidis -- Rethinking disinformation for the global South : towards a particular research agenda / Grisel Salazar Rebolledo -- Statistics and state-sponsored disin…

Innovations in journalism :comparative research in five European Countries

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9781032630410

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SOCIAL MEDIA AND DIGITAL POLITICS: networked reason in an age of digital emotion

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9781003386377

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The Narratology of Comic Art

By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in …

Digital Media and Textuality : From Creation to Archiving

Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions…

Owning the Olympics: Narratives of the New China

A major contribution to the study of global events in times of global media. Owning the Olympics tests the possibilities and limits of the concept of 'media events' by analyzing the mega-event of the information age: the Beijing Olympics. . . . A good read from cover to cover." —Guobin Yang, Associate Professor, Asian/Middle Eastern Cultures & Sociology, Barnard College, Columbia UniversityFr…

Music - Media - History: Re-Thinking Musicology in an Age of Digital Media

Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses A…

Writing History in the Digital Age

Writing History in the Digital Age began as a “what-if” experiment by posing a question: How have Internet technologies influenced how historians think, teach, author, and publish? To illustrate their answer, the contributors agreed to share the stages of their book-in-progress as it was constructed on the public web.To facilitate this innovative volume, editors Jack Dougherty and Kristen N…

The American Literature Scholar in the Digital Age

The American Literature Scholar in the Digital Age, which features a wide range of practitioner-scholars, is the first of its kind: a gathering of people who are expert in American literary studies and in digital technologies, scholars uniquely able to draw from experience with building digital resources and to provide theoretical commentary on how the transformation to new technologies alters …

The Digital Public Domain: Foundations for an Open Culture

Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture's use—copyright and related rights—have become increasi…