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Found 4 from your keywords: subject="conceptual art"
cover
The Jean Freeman Gallery does not exist
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Howard, Christopher,

An examination of a 1970s Conceptual art project--advertisements for fictional shows by fictional artists in a fictional gallery--that hoodwinked the New York art world. From the summer of 1970 to March 1971, advertisements appeared in four leading art magazines-- Artforum , Art in America , Arts Magazine, and ARTnews --for a group show and six solo exhibitions at the Jean Freeman Gallery at 26…

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ISBN/ISSN
9780262348102
Collation
1 online resource (416 pages).
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James Coleman
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Baker, GeorgeBellour, Raymond.Coleman, James,

Illustrated critical essays on the work of artist James Coleman.James Coleman has emerged in recent years as one of the most important artists of visual postmodernism. His work has transformed critical debates about the status of the image in contemporary culture and influenced an entire generation of younger artists in ways that have not yet been fully acknowledged. Until recently, Coleman has…

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ISBN/ISSN
9780262267601
Collation
1 online resource (x, 213 pages) :illustrations.
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Helicography
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CRAIG, Dworkin

"Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson’s iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of magnitude, from microscopic molecules…

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ISBN/ISSN
9781953035653
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cover
Some Ways of Making Nothing Apophatic Apparatuses in Contemporary Art
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CURT, Cloninger

"What if all works of art were better understood as functioning apparatuses, entangling their human audiences in experiences of becoming? What if certain works of art were even able to throw the brakes on becoming altogether, making nothings rather than somethings? What would be the ethical value of making nothing, of stalling becoming; and how might such nothings even be made? Some Ways of Mak…

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ISBN/ISSN
9781953035387
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