With a focus on migrant narratives, or the storytelling about migration, this volume considers the ways in which migration is and has been shaped by individual and collective experiences of agency, belonging and community. Driven by an agenda of deep listening, each chapter presents a narrative directly derived from qualitative research, an outline of the methodological framing as well as narra…
Sometimes tragedies that have little to distinguish them from a wide range of similar events and which can make no claim to record numbers of casualties or destructive impact go down in history as fundamental and emblematic. This is the case of two of the airstrikes discussed in this volume: Barcelona and Dresden. Other tragedies, however, are sometimes obscured by circumstances elsewhere. This…
This book introduces students to ethics in historiography through an exploration of how historians in different times and places have explained how history ought to be written and how those views relate to different understandings of ethics. No two histories are the same. The book argues that this is a good thing because the differences between histories are largely a matter of ethics.
Compound Histories: Materials, Governance and Production, 1760-1840 offers a new view of the period during which Europe took on its modern character and globally dominant position. By exploring the intertwined realms of production, governance and materials, it places chemists and chemistry at the center of processes most closely identified with the construction of the modern world. This include…
Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and …
Scene 1.— The Dvxke's Palace. Enter Duke, Curio, and other Lords ; Musicians attending. Duke. If music be the food of love, play on ; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again 1 it had a dying fall* ; rcadence O, it came o'er my ear like the sweet soimd That breathes upon a bank of violets, Stealing and giving odour ! Enough, no more …
The stories collected in this little book have for the most part been taken from the pages of the magazine, “Messages of Love.” Many of these stories were originally written for this magazine, either by Mrs. Willis or different members of her family, and are those things which they have seen and heard. Their first object is to present Christ, and the way of salvation through Him : but bo…
In the year 1872,-the house No. 7 Saville Row, _ Burlington Gardens—the house in which Sheridan dieu, in 1814—was inhabited by Phileas Fogg, Esq., one of the mdstajngular and most -noticed members Gi the Reform Club of London, although he seemed to take care to do nothing which might attract attention. This Phileas Fogg, then, an enig‘ matic personage, of whom nothing ‘was known but tha…